Eden Lake
- Big close ups of each of the child’s faces looking up at the
teacher, reflects their innocence by showing their emotions, heads facing upwards shot at high angles, POV shot from
POV- Point of view shot
POV- Point of view shot
- The camera is always particularly
focused on their faces in the foreground and the background blurred suggesting
the importance if their facial expressions.
| LS- classroom scene |
- A sound bridge is used from black frames with red writing of the opening credits contrasting into the opening scene of a children’s classroom, diegetic sound of this scene uses characters of children and a female teacher singing together
| CU- engagement ring and boyfriend |
- Non-diegetic music in this scene is contrapuntal, the music is slightly eerie, but also orchestral and calming, however, this still doesn't match the cheery, bright coloured scene of happy children and a young caring teacher which is suggested by the way her hand is positioned on the child’s shoulder and the way she clearly connects with them by the way they look up at her
| LS- women running |
- These scenes linked together form a happy, vibrant atmosphere but, following Todorovs narrative theory this is just the normality stage of equilibrium, before the disruption
| CU- kiss (showing relationship) |
-The opening sequence is successful to be classed in the thriller genre, due to the non-diegetic sound, the camera shots throughout give off a good vibe, but the juxtaposing sound works to create the feeling of worry in the audience knowing by the music something isn't right, and that the scenes to follow wont be so happy
The Hitcher
| LS- abandoned car |
Camera tracking
| ELS- rabbit hit |
- Parallel non-diegetic sound is used building up the suspense using both low pitch instruments along with very high pitched instruments, creating unstablility and leading up to this event
- A foley of the rabbit getting hit would of been used, as it is very loud, used to shock the audience.
Foley
- The car which hit the rabbit was not shown on screen, it was unpredictable, entering from the left hand side of the frame, the camera did not follow it purposely, this was in order to mislead the audience
- The lighting in this scene is dull and low key, contrasting the next scene of vibrant high key lighting
| MLS- teenager on mobile |
- As the scene changes the music does too, becoming up beat, changing from eerie to a band playing using guitars, drums and singing too, becoming parallel to the change of scene
| CU- teenage couple |
-The opening sequence overall is successful to a thriller film as although showing scenes of romance and teenage lust with a vibrant atmosphere it also has contrasting scenes previously, with a graphic death of an animal
-This narrative structure begins with an action code leading to something bad happening, but then follows with an enigma code, not allowing the audience to relate both scenes together.
- This opening sequence doesn't follow the usual structure of Todorov, as begins with a disruption of the death then has normality of love.
1408
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| ELS- car in rain |
- The opening scene, establishes the setting, at night, bad weather and low key lighting, all signifying a negative atmosphere.
- Non- diegetic, slow paced music along with the diegetic noise of the radio, the rain, windscreen wipers, thunder and the man driving
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| BCU- man in car |
3 Point Lighting
- The camera shot make significance of the sign, changing between shots of the man's reaction to the sign itself using close ups, and long shots of the sign he is looking at.
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| ELS- car in rain |
- Mainly long shots used, establishing setting, showing it from point of view shots from outside the car window, voyeurism, as if someone looking in at him
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| LS- sign |
- Camera angles from very high and very low, together with being hidden behind other objects (e.g the stair rail to the right) suggests he is being watched, point of view angles.
- This makes a successful thriller opening due to the parallel sound and scene, the spookiness created from different POV shots, without letting the audience know who the POV is from, creates enigma code.
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| ELS- man from high angle, pov shot |
The Others
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| ELS- scene of mansion |
- Dull lighting, on a mysterious large, mansion house, weather is gloomy, creating negative atmosphere
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| BCU- women screaming |
- The camera which is handheld at this point is swaying slightly, tracks out revealing why the women was screaming partly solving the enigma created why she was screaming as she was in bed so must of had a bad dream, but this still doesn't reveal exactly why
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| Transition of MCU- ELS |
- The editing technique of a dissolve is used linking two scenes together along with a sound bridge of someone laughing interlink the two scenes.
- This opening sequence works successfully as a thriller as firstly the setting is appropriate, it is mysterious and a typical, spooky place. Also, the technique of silence, into a peircing screaming sound is used to shock the audience, raising questions purposefully. The camera movement of roatation and a tilt view, also distorts the audience.








Good effort Imogen. Some of your analysis is descriptive I would like you to go back and analise them and not just describe. Perhaps you could add some hyperlinks to reenforce key points. For example highlighting hero antihero. Good choice of films. You still have time to go back and improve some of the comments
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